Download Blues Music Magazine #6 by EDITOR-IN-CHIEF: Art Tipaldi PDF



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For you guitarists out there, Robillard’s liner notes on each song detail all the nuances of the guitar gear being used and his inspiration for each song. ” I certainly did and trust you will as well. V. Wright (who was Clay’s Hi Records label mate in the 1970s). Executive producer/songwriter/bassist Bob Trenchard leads the band (including four horns, Latin percussion, and backing vocalists) on this ten song set of duets that will draw favorable comparisons to Sam & Dave (and lesser lights from Soul music’s golden age like James & Bobby Purify, Simtec & Wylie, and the Sims Twins to name a few).

The adoring looks and yelling directed at him from the audience spoke otherwise. Having played as a duo for 12 years before Newby joined, they revisited this format for the mournful ballad “Wrong I Do” from their 2008 record titled 1861. Arbuckle next gave his harp a workout on the blazing instrumental “Variations On Juke” from Floyd’s Market. Arbuckle provided another wrinkle when he switched to bass for “The Devil An Me” from 7 Cities, ably holding down the bottom while vocalizing. ” They then revved it back up with the foot stomping, runaway train sound of “The Legend Of John Henry;” you almost thought they had anvils in their hand as their song raced through the night.

There’s more focus on her songwriting, and despite the title, the themes remain lost love and betrayal, whether she’s warning a man that his woman is going astray (“You Better Start Praying”) or covering the blues standard “I’d Rather Drink Muddy Water” or Fats Waller’s menacing minor-key warning “You Must Be Losing Your Mind” (which gives her fine band a chance to stretch out). That she’s able to go from there to a sweet and soulful solo version of Patty Griffin’s “Heavenly Day” shows her impressive range.

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