Download Black Dove: Mamá, Mi’jo, and Me by Ana Castillo PDF

By Ana Castillo

Growing up because the intellectually lively daughter of a Mexican Indian immigrant kinfolk in the course of the Seventies, Castillo defied conference as a author and a feminist. A new release later, her mother's crooning mariachi lyrics resonate once more. Castillo—now a longtime Chicana novelist, playwright, and scholar—witnesses her personal son's spiraling maturity and eventual incarceration. status within the stifling court docket, Castillo describes a scene which may be any mother's worst nightmare. yet in a rustic of obtrusive and stacked records, it's a nightmare specifically reserved for moms like her: the inner-city moms, the one moms, the moms of brown sons.

Black Dove: Mamá, Mi'jo, and Me looks at what it skill to be a unmarried, brown, feminist mum or dad in a global of mass incarceration, racial profiling, and police brutality. via startling humor and love, Castillo weaves intergenerational tales touring from Mexico urban to Chicago. And in doing so, she narrates a few of America's such a lot heated political debates and pressing social injustices during the oft-neglected lens of motherhood and family.

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Extra info for Black Dove: Mamá, Mi’jo, and Me

Sample text

At midday he ordered his main meal from a nearby restaurant and ate it out of stainless-steel carryout containers without leaving his place of business. The little girl would take the leftovers and dash them off to her mother, who was lying on a petate—in the one room the whole family shared in a vecindad overflowing with families like their own with all manner of maladies that accompany destitution. Her mother was dying. María de Jesús Rocha de Castro spent her days and nights in the dark, windowless room reading novels, used paperbacks provided by her new husband from Veracruz, seconds like the food he shared with her.

Her new husband took a job in a factory, and once all the children started school, she applied for work as a seamstress in a small upholstery company. “I’d never used a sewing machine before in my life,” she told me back then, “but when the owner asked if I could handle it, I said, ‘Yes, of course I could’ and did. He never regretted hiring me and I never let him down. I loved all the years I worked there. ” She said “encantada,” which in English means “enchanted” and which could not have been what she felt eight hours a day, the same foot pushing an industrial Singer pedal, developing arthritis, fingers pricked to the point of numbness, getting carpal tunnel syndrome as the years wore on, earnestly working toward each hour’s quota.

My aunt had learned to cook a wide range of delicacies, and she had no problem adding to her menu her norteño husband’s preferences: flour tortillas, pinto beans, fried potatoes and eggs, and, of course, lots of red meat. Tía Flora was never a woman who liked to argue, so she kept her husband happy. But she did love to dance, which he did not. Unfortunately, the cowboy husband never came around, not even to slow dance to please his wife. By the seventies, salsa was all the rage. Tía Flora developed an ear for the hot rhythms coming in from New York to Chicago, turning them on low on the radio or tuning in to watch the bands on the Spanish channel on the portable TV she kept in the kitchen to keep up with the popular telenovelas.

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