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By Daphne M. Grace

Articulations and expressions of gender might be destabilising, transgressive, progressive and radical, encompassing either a painful legacy of oppression and a joyous exploration of recent event. Analysing key texts from the nineteenth to twenty first centuries, this e-book explores more than a few British and Anglophone authors to contextualise women's writing and feminist idea with ongoing debates in attention reviews. Discussing writers who try to redefine the gendered global of "sexualized" area, even if inner or exterior, psychological or actual, this booklet argues how the "delusion" of gender distinction should be addressed and challenged. In literary concept and in representations of the feminine physique in literature, identification has more and more turn into a transferring, a number of, renegotiable-and controversial-concept. whereas acknowledging old and cultural buildings of sexuality, "writing the physique" needs to eventually contain wisdom of human awareness. the following, an figuring out of realization from modern technological know-how (especially quantum theory)-as the basic construction block of lifestyles, past the body-allows specified insights into literary texts to clarify the matter of subjectivity and what it ability to be human. together with dialogue of subject matters similar to feminism and androgyny, company and entrapment, masculinities and masquerade, madness and emotion, and person and social empowerment, this research additionally creates a full of life engagement with the literary technique as a way of fathoming the "enigma" of cognizance

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Extra resources for Beyond Bodies : Gender, Literature and the Enigma of Consciousness

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In the last paragraph of the novel the reader’s attention is again drawn to the Yorkshire heath as symbolic of the eternal regeneration of life in nature. Yet that force of nature is beyond explanation, and implicated in the ineffable conspiracy of scenery with ghosts and walking spirits. While man-made structures, such as the church are here described as in decay, the heath is alive with moths and hare-bells; and “the soft wind breathing through the grass” is significantly personified. These apparently simple images are indicative of some transcendental reality greater and more powerful than both human mortality and the cyclical renewal of seasonal change, for amidst all this burgeoning life, Lockwood cannot “imagine unquiet slumbers for the sleepers in that quiet earth” (290).

This overarching fear has created the tradition where powerful, conventional women must be punished, reduced in status by exile from society, or killed off through sickness or accident. The uncanny, as associated Forging roads into consciousness 41 with the female, and with lack of control, is closely connected with madness. Emily Brontë ’s Catherine falls into a state of apparent madness before her death, and as Nelly Dean narrates, she has to be dealt with in an appropriate manner: “Perceiving it in vain to argue against her insanity, I was planning how I could reach something to wrap about her, without quitting my hold of her myself, for I could not trust her alone […]” (109).

Blackmore 2005b: 118-9) Thus linking qualia, subjective conscious appreciation of experience, with the most fundamental levels of physical existence and aesthetics is most apposite here. As a result of rasa, the mind is taken in the direction of this most fundamental level of nature, which physicists have also argued to be the level of pure consciousness—the level from which consciousness becomes conscious of its own nature. It is a level of self-referral, of knowing itself—a deeper, more refined level of the mind than the intellect or ego, where the knower, the known and the process of gaining knowledge are one and the same.

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