By Stephen Scobie
Stephen Scobie celebrates “the maximum movie director of his age” with poetry exploring forty four of Godard’s motion pictures.
Subtle but profound unities play from poem to poem. Characters, destinations, photographs, and the beneficiant use of citation jump-cut and recur to ship the mind's eye reeling during the higher works of either artists. Readers should be seduced to linger in the writing and inspired to hunt past, to Godard's personal oeuvre.
The publication is sharply predicted and punctiliously cadenced with the intention to pride readers who is probably not acquainted with Godard's motion pictures. these already accustomed to Godard's paintings will locate on the restrict of breath a so much profitable event.
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Additional resources for At the Limit of Breath: Poems on the Films of Jean-Luc Godard
It’s hard to say.
What is that music that I hear? sometimes there, or not, on the soundtrack, sometimes on the street beside me, heard without paying attention. C’est pas triste. It’s not a tragedy. It’s always the last time until it’s the next. (Duras in the back seat, in absentia): when you see a truck passing think of it as the word of a woman passing. The silence that always surrounds the reading of a text. ” You want a guardian angel and I’m through being one. I want to do things, not define them — I leave the definitions to you.
Oh Paula, you have robbed me of my youth … oh David, tristesse 20 1966 Made in USA 1966 Deux ou trois choses que je sais d’elle Two or Three Things That I Know About Her 1967 If I speak A cup of a time of coffee swirls it’s not yet here in a spiral nebula If I speak of a place It is the wide it has already screen universe disappeared on the table If I speak before you of time itself it’s gone closer and without a trace closer And if I speak Something of a man may make me cry he will soon but the cause of my tears be dead is not to be found in the traces The categories they leave on my cheeks Left and Right are obsolete I have to listen We must speak of them now more than ever otherwise I have to look around me at the world How then?