By Heike Raphael-Hernandez, Shannon Steen, Gary Okihiro, Vijay Prashad
With a Foreword by way of Vijay Prashad and an Afterword through Gary Okihiro
How may well we comprehend yellowface performances by way of African americans in Nineteen Thirties swing variations of Gilbert and Sullivan's The Mikado, Paul Robeson's aid of Asian and Asian American struggles, or the absorption of hip hop by means of Asian American formative years culture?
AfroAsian Encounters is the 1st anthology to examine the mutual impression of and relationships among individuals of the African and Asian diasporas. whereas those teams have frequently been regarded as occupying incommensurate, if no longer opposing, cultural and political positions, students from heritage, literature, media, and the visible arts right here hint their interconnections and interactions, in addition to the tensions among the 2 teams that usually come up. AfroAsian Encounters probes past pop culture to track the old lineage of those coalitions from the overdue 19th century to the present.
A foreword through Vijay Prashad units the quantity within the context of the Bandung convention part a century in the past, and an afterword via Gary Okihiro charts the contours of a “Black Pacific.” From the historical past of jap jazz composers to the present acclaim for black/Asian “buddy movies” like Rush Hour, AfroAsian Encounters is a groundbreaking intervention into stories of race and ethnicity and a very important examine the transferring that means of race within the twenty-first century.
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Additional resources for AfroAsian Encounters: Culture, History, Politics
Barnum’s freak shows. ”42 Fanon explains that “below this corporeal schema I had sketched a historico-racial schema . . woven . . ” Below the Chinaman’s imagined corporeal space, written on the body, lay the multitudes of details, anecdotes, and stories made legible by various representations (visual, literary, and legal) of the Chinese in America. Thus this fictive image becomes the repository for a range of cultural representations that have solidified into the stereotype of the Chinaman. The specter of the Chinaman “of the ordinary laundry type” in Chesnutt’s text represents an everyday figure, something common, nothing special.
16 The first of the Chinese Exclusion Acts was passed by Congress in 1882 and held the dubious honor of being the very first racebased immigration act in the United States. The act prohibited Chinese laborers from entering the United States and explicitly denied naturalized citizenship to those Chinese who were already residing there. ” Rather than seizing this opening to dislodge the black/white binary, he attempts to resolve the problem of the color line by redrawing it as one between citizens and noncitizens of the United States.
1630, 33 Stat. 428. , Entry Denied: Exclusion and the Chinese Community in America, 1882–1943 (Philadelphia: Temple University Press, 1991); Lucy Salyer, Laws Harsh as Tigers: Chinese Immigrants and the Shaping of Modern Immigration Law (Chapel Hill: University of North Carolina Press, 1995); Shirley Hune, “Politics of Chinese Exclusion: Legislative-Executive Conflict 1876–1882,” Amerasia 9:1 (1982): 5–27. 17. The passage of the 1882 Chinese Exclusion Act has usually signaled the beginning of the “official” era of Chinese exclusion.