By Geir Hellemo
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Additional resources for Adventus Domini: Eschatological Thought in 4th Century Apses and Catecheses (Supplements to Vigiliae Christianae)
A n d it is also written, ' A n d he said to Moses, C o m e up to the L o r d ' ( E x o d . 2 4 : 1 ) " , Brown, M a k i n g p . 17. Eusebius of Caesarea, Hist. Eccl. X . I V . 70 ( L C L . 265. 442). 6 2 6 3 6 4 32 I'll K M K ( i K O I I I 1 I TIIKMK T o perceive the iconographic utilization of the mountain in presenta tions of Christ in the same way suggests itself. When Christ is seated upon the mountain, he is placed in G o d ' s abode. The interesting point in the choice of this motif is that it can serve as a meeting place between God and man.
193. See Baus, Kranz p . 194f. 14 1 4 2 1 4 4 1 4 5 49 1 146 147 148 149 150 O n the other hand, in a terracotta plaque from the Barberini Collec tion, now in the Dumbarton Oaks Collection (111. 19), the futuristiceschatological aspect is so fully developed that it dominates the entire presentation. The plaque is divided into two scenes. In the upper section 1 4 6 Paulinus o f Nola " d e m o c r a t i z e s " the wreath-imagery, see the quotation on p . 97. Baus, Kranz p . 196ff. For imperial application of the wreath, see in addition to Baus, Kranz p .
W e are, of course, aware that the mountain does not represent a pictorial element peculiar to Christianity but has a wide religio-historical usage. The "Christian" in this context, implies that the use of the motif within the type of iconography being examined here, appears to have biblical literary material as its primary source of inspiration. The development towards a pictorial program mainly rooted in biblical imagery is carried further in the apses of Paulinus of Nola (see p. 90) and very likely reflects one of the most important driving forces behind the process of iconographical development in the 4th century.