Download 1000 Pinturas de los Grandes Maestros by Victoria Charles, Joseph Manca, Megan McShane PDF

By Victoria Charles, Joseph Manca, Megan McShane

Desde el Renacimiento temprano, pasando por el Barroco y el Romanticismo hasta el Cubismo, Surrealismo y Pop artwork, estas pinturas canónicas del arte occidental abarcan ocho siglos y una multitud de temas. Aquí encontrarás lo sagrado y lo escandaloso, lo minimalista y lo opulente, lo rompedor y lo convencional; hay cuadros que capturaron l. a. esencia de una época y otros que marcaron el inicio de una nueva; obras de arte que fueron inmediatamente catalogadas de geniales y otras que al principio encontraron cierta reticencia. Todas han superado los angeles prueba del tiempo y, a su manera, contribuyen a l. a. dialéctica sobre lo que convierte a un cuadro en obra maestra, sobre lo que han cambiado las nociones sobre el arte, hasta qué punto el arte refleja l. a. realidad y en qué medida los angeles altera. Presentándolas aquí reunidas, estas obras de arte pretender ayudar a comprender l. a. evolución de las preocupaciones y percepciones de nuestros ancestros, así como ofrecernos una pausa para considerar qué obras de nuestra period pasarán a los cánones de l. a. pintura.

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Extra info for 1000 Pinturas de los Grandes Maestros

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Las muy ricas horas del duque de Berry en enero se considera su más grande obra y un ejemplo sobresaliente del arte gótico internacional. Las miniaturas son consideradas como obras maestras de la ilustración de manuscritos por su magnífico dominio del espacio y su uso de colores poco comunes. 53 54 48 — El siglo XV — 55 55. Gentile da Fabriano, 1370-1427, gótico internacional, italiano, Adoración de los magos, 1423, pintura al temple sobre panel, 303 x 282 cm, Galleria degli Uffizi, Florencia El enorme retablo bellamente dorado de la capilla Strozzi de la Santa Trinidad en Florencia representa la epifanía.

Su obra maestra es el retablo La adoración de los magos (1423). Poco después demostró una nueva comprensión de la perspectiva al escorzar a sus modelos, como puede observarse en la obra Limosnas doradas de San Nicolás (1425). 49 57 56. Tommaso Masaccio, 1401-1428, Renacimiento, escuela florentina, italiano, La expulsión de Adán y Eva del jardín, 1425, fresco, 208 x 88 cm, Capilla Brancacci de Santa Maria della Carmine, Florencia Esta escena representa la expulsión de Adán y Eva después del pecado original.

35 35 36 34 34. Maestro de Kaufmann, principios del Renacimiento, bohemio, La crucifixión de Cristo, c. 5 cm, Gemäldegalerie, Alte Meister, Berlín 35. Maestro de Hohenfuhrth, principios del Renacimiento, bohemio, La agonía en el jardín, c. 1350, pintura al temple sobre panel, 100 x 92 cm, Narodni Galeri, Praga 36. Maestro de la Natividad de Berlín, principios del Renacimiento, Bávaro, Natividad, 1330-40, pintura al temple sobre panel, 33 x 24 cm, Gemäldegalerie, Alte Meister, Berlín 36 — El siglo XIV — 37 37.

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